© www.deftonesworld.com
Tabbed by:Jonathan Mojica
5/15/03
Email:xcrossx1@yahoo.com
"WHEN GIRLS TELEPHONE BOYS"
Tuning:Really Stef plays it on a 7-string baritone tuned down half a step
I play it on a six string baritone 1/2 step down
Low to High G#,Eb,G#,C#,F#,Bb
Verse
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|--------------------------------------------------------------------------|
G#|-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-14-14-14-14-14-14-14-14--|
Eb|-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-14-14-14-14-14-14-14-14--|
G#|-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-14-14-14-14-14-14-14-14--|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|--------------------------------------------------------------------------|
G#|-14-14-14-14-14-14-14-14-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15--|
Eb|-14-14-14-14-14-14-14-14-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15--|
G#|-14-14-14-14-14-14-14-14-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15--|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|--------------------------------------------------------------------------|
G#|-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-16-16-16-16-16-16-16-16--|
Eb|-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-16-16-16-16-16-16-16-16--|
G#|-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-16-16-16-16-16-16-16-16--|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|--------------------------------------------------------------------------|
G#|-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16--------------------------|
Eb|-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16--------------------------|
G#|-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16-16--------------------------|
Slide into the chorus 162
Chorus 1 (2) everything in () is done during chorus 2 only
P.M x x x x x
Bb|--------------------------------------------------------------------------|
F#|-------------------------(4)---(4)---(4)----------------------------------|
C#|--------------------------------------------------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--2-----------------------------------|
Eb|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--2-----------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--2-----------------------------------|
P.M x x x x x
Bb|--------------------------------------------------------------------------|
F#|-------------------------(4)---(4)---(5)----------------------------------|
C#|--------------------------------------------------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--3-----------------------------------|
Eb|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--3-----------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--3-----------------------------------|
P.M x x x x x
Bb|--------------------------------------------------------------------------|
F#|-------------------------(4)---(4)---(4)----------------------------------|
C#|--------------------------------------------------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--2-----------------------------------|
Eb|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--2-----------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--2-----------------------------------|
on this last one during chorus 2 don't use harmonics
P.M x x x x x +
Bb|--------------------------------------------------------------------------|
F#|-------------------------(4)---(4)---(5)----------------------------------|
C#|--------------------------------------------------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2-(3)----------------------------------|
Eb|-2-2-2-2--2--2--2---3p2p0-2--2--2--2-(3)----------------------------------|
G#|-2-2-2-2--2--2--2---3p2p0-2--2--2--2--3-----------------------------------|
Breakdown
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15--|
G#|--------------------------------------------------------------------------|
Eb|-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13--|
G#|--------------------------------------------------------------------------|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|-15-15-15-15-15-15-15-15-1514-14-14-14-14-14-14-14-14-14-14-14-14-14-14--|
G#|--------------------------------------------------------------------------|
Eb|-13-13-13-13-13-13-13-13-1312-12-12-12-12-12-12-12-12-12-12-12-12-12-12--|
G#|--------------------------------------------------------------------------|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|-14-14-14-14-14-14-14-14-14-1412-12-12-1211-11-11-11--------------------|
G#|--------------------------------------------------------------------------|
Eb|-12-12-12-12-12-12-12-12-12-1210-10-10-10-9--9--9--9--------------------|
G#|--------------------------------------------------------------------------|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15-15--|
G#|--------------------------------------------------------------------------|
Eb|-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13--|
G#|--------------------------------------------------------------------------|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|-15-15-15-15-15-15-15-15-1514-14-14-14-14-14-14-14-14-14-14-14-14-14-14--|
G#|--------------------------------------------------------------------------|
Eb|-13-13-13-13-13-13-13-13-1312-12-12-12-12-12-12-12-12-12-12-12-12-12-12--|
G#|--------------------------------------------------------------------------|
Bb|--------------------------------------------------------------------------|
F#|--------------------------------------------------------------------------|
C#|-14-1412-12-12-12-12-12-12-12-12-1211-11-11-11-11-11--------------------|
G#|--------------------------------------------------------------------------|
Eb|-12-1210-10-10-10-10-10-10-10-10-10-9--9--9--9--9--9--------------------|
G#|--------------------------------------------------------------------------|
Song Structure:
Verse x2
Chorus 1 x4
verse x2
Chorus 2 x6
Breakdown
Chorus 1/2 mixed just listen its chorus 2 then 1......etc. till the song ends.
| / slide up
| slide down
| h hammer-on
| p pull-off
| ~ vibrato
| + harmonic
| x Palm Mute note
*******************************************
When Girls Telephone Boys
Tabbed By: Mateo
I have tabbed this song for a six string tuned to:
Drop> A#} F A# D# G C
Tun. Pattern. 7 5 5 4 5
I don't mean to gloat, but this tab is perfect for this tuning. Just trust me.
This rythym in the chorus is great for intermediate learning. It includes
successive palm mutes and dotted half notes (actual HALF (1/2) of a note).
Listen closely, there are "discrepances" due to the tuning. The tuning sTeF
uses calls for many open strings to be strummed during the verse and bridge
(its a difference of negative 3 frets on the bottom 2 strings) so get someone
to overdub or something. In the meantime, just use the 1st and 2nd strings open.
Thats all you'll need out of those two. This song is simple and so heavy.
I hope you enjoy.
Now, your equipment might not be capable of doing this (if the neck is bent
and fucked up, it won't work)
The distortion is massive. Stefs using his Boss Hyper Fuzz.
I would also like to thank Nuno for running this site. Keep up the good work.
You can also play battle-axe (easy) in this tuning.
/ = Slide
* = play the same fret to this point >
. = palm mothafucka, like you never have before!
VERSE - "Always the same old taste"
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--------------|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--------------|
|-4-4-4-4-4-4-4-4/7-7-7-7-7-7-7-7-8-8-8-8-8-8-8-8-8-8-8-8-8-8-8-8--------------|
|-4-4-4-4-4-4-4-4/7-7-7-7-7-7-7-7-8-8-8-8-8-8-8-8-8-8-8-8-8-8-8-8--------------|
|-2-2-2-2-2-2-2-2/5-5-5-5-5-5-5-5-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6--------------|
|----------------------------------------------------------------------------------------|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0----------------------------------------------|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0----------------------------------------------|
|-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9----------------------------------------------|
|-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9-9----------------------------------------------| X1
|-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7----------------------------------------------|
|-----------------------------------------------------------------------------------|
Making you way to the slide point. Make sure to set the intonation :) .
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--------|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0--------|
|-----------------------------------------------------------------------------------| Mute this string
|-9-9-9-9-9-9-9-9/12*--all the way>-13*------------------------------->--------|
|-9-9-9-9-9-9-9-9/12*----can't---->-13*------------------------------->--------|
|-9-9-9-9-9-9-9-9/12*---fit LOL-->-13*------------------------------->--------|
* = follow to this = >
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0|-0-0-0-0-0-0-0-0|-------------------------|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0|-0-0-0-0-0-0-0-0|-------------------------|
|-------------------------------------|-------------------|-------------------------| Mute this string
|-14*--------------------------------|------------------>|-14-/-7----------------| X1
|-14*--------------------------------|------------------>|-14-/-7----then-lift-off-| Slide Bitch Slide
|-14*--------------------------------|------------------>|-14-/-7----------------|
>< THIS HAPPENS IN CERTAIN PARTS OF THE CHORUS(8 EXTRA SWEEPS)
NOW THE FUN PART! THE CHORUS!
Listen to find out how many times to play each piece
|-----------------|------------||-----------------|------------|
|-----------------|------------||-----------------|------------|
|-----------------|------------||-----------------|------------|
|-0000-----------|-0-0-0-00-|--0000-----------|-0-0-0-11-|
|-0000-0--0-0-0|--0-0-0-00-|--0000-0--0-0-0|--0-0-0-11-|
|-0000-0--0-0-0|--0-0-0-00-|--0000-0--0-0-0|--0-0-0-11-|
........ .......
WHEN YOU GO INTO THE VERSE
|-------------|
|---------33-|
|--0-0-0-33-|
|--0-0-0-11-|
|--0-0-0----|
END WITH THIS INSTEAD THE NORMAL ONE ABOVE
BRIDGE - "I hope we never do meet again"
|--0---0--0---0--0--0--0--0--0--0---0--0---0---0--0--0--0--0--0---0---0--0--0--0--0---|
|--0---0--0---0--0--0--0--0--0--0---0---0--0---0--0--0--0--0--0---0---0--0--0--0--0---|
|-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-1312-12-12-12-12-12-12-12-12---|
|-13-13-13-13-13-13-13-13-13-13-13-13-13-13-13-1312-12-12-12-12-12-12-12-12---|
|-11-11-11-11-11-11-11-11-11-11-11-11-11-11-11-1110-10-10-10-10-10-10-10-10---|
|----------------------------------------------------------------------------------------------|
|-0---0---0--0--0--0--0---0--0-0-0-0-0--------------------------------------|
|-0---0---0--0--0--0--0---0--0-0-0-0-0--------------------------------------|
|-12-12-12-12-1210-10-10-109-9-9-9------------------------------------|
|-12-12-12-12-1210-10-10-109-9-9-9------------------------------------|
|-10-10-10-10-10-8--8--8---87-7-7-7------------------------------------|
|------------------------------------------------------------------------------|
THE RYTHYM VARIES BUT THIS IS THE FIRST ONE.
END ON/FADE OUT - PLAY THE CHORUS WITHOUT PALMING.
|
