#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From ad070@freenet.carleton.ca Thu May 6 10:47:30 1993
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Date: Thu, 6 May 93 10:46:00 EDT
Message-Id: <9305061446.AA29543@freenet.carleton.ca>
From: ad070@freenet.carleton.ca (Steve Portigal)
To: ad070@freenet.carleton.ca
Subject: Re: TAB: Closer to the Heart - Rush
Reply-To: ad070@freenet.carleton.ca
Status: O
In a previous article, IFSXM@ASUACAD.BITNET () says:
>
>Guitar tabs to the song "Closer To The Heart"
>Transcription partially by Joe Kung and the rest reproduced from
>Guitar, Oct 1986.
>
>
>
>Intro:
>
>---5-----7-----4-----5-----4---0---
>-----0-----0-----0-----0-----7-----
>-------6-----6-----6-----6-------6-
>-----------------------------------
>-----------------------------------
>-----------------------------------
>
>
>-5-----7-----4-----5-----4---0-----
>---0-----0-----0-----0-----7-------
>-----------6-----6-----6-------6---
>-----7-----------------------------
>-----------------------------------
>-----------------------------------
>[repeat 3 times]
>
>
> G6 D Fmaj7
>--------0-----------0-----------0-----
>------3---3-------3---3-------1---1---
>----4-----------2-----------2-------2-
>--5---------5>4---------4>3---------3-
>--------------------------------------
>--------------------------------------
>
>Asus2 Asus4 A
>----------------------_--0----------
>-0-----4-----0---2---0-2----0--4--2-
>-2-----2-----2--------------2--2--2-
>-2-----2-----2-----2--------2--2--2-
>-0-----0-----0--------------0--0--0-
>------------------------------------
>
>Verse: The first two bars, there's plain rythm on
>guitar:
>A G | D G A | (this lasts until ".. who start. ... to")
>
>5-5-5--5-3--3---3-3-----|
>5-5-5--5-3----3-----3-3-|
>6-6-6--6-4----------4---|
>------------------------|
>------------------------|
>------------------------|
>
>During "Closer To The Heart"
>2-2-------3-------3---
>3-3-2-2-2-3-----3---3-
>2-2-2-2-2-0---0-------
>0-0-2-2-2-0-0---------
>----0-0-0-X-----------
>----------3-----------
>[repeat twice]
>
>Then repeat this once. Now there's a little interlude, with the bells.
>Bells for guitar:
>
>10---------------10------
>---10--8-7-8-10-----10-8-
>11---------------11------
>---11--9-7-9-11-----11-9-
>-------------------------
>-------------------------
>
>Once again a verse, this time by a distorted electric, and then the solo.
>On the studio version there are two guitars. Live, Alex uses a harmonizer
>to emulate this. For a change, the bars are represented here.
>
>Solo:
>10->-(12)-!-|-10-!-|-8-!-|---------------------------------------------
>10->-(12)-!-|-10-!-|-8-!-|---------------------------------------------
>------------|------|-9-!-|---------------------------------------------
>------------|------|-----|---------------------------------------------
>------------|------|-----|---------------------------------------------
>------------|------|-----|---------------------------------------------
>
>(Here, Alex plays all traids in 8th notes. The R is a rest of the same
>length)
>-----------7-R---9-R-10---9-10-12|10-12-14---12-14-15---12-14-15---14-15-17|
>7-R-8---10-------7-R--8----------|-----------------------------------------|
>7-R-7----7-9-R------------9-10-10|11---------------------------------------|
>---------------------------------|-----------------------------------------|
>---------------------------------|-----------------------------------------|
>---------------------------------|-----------------------------------------|
>
>17->-(19)!---17->-(19)--17->-(19)|-17->-(19)-!->-17--12-14-15--------|
>---------------------------------|-----------------------------------|
>---------------------------------|-----------------------------------|
>---------------------------------|-----------------------------------|
>---------------------------------|-----------------------------------|
>---------------------------------|-----------------------------------|
>
>15->-(17)--15->-(16)--15->-(17)!-|-----------------------------------|
>---------------------------------|-15->-(17)->-15--15--15-!----------|
>---------------------------------|-----------------------------------|
>---------------------------------|-----------------------------------|
>---------------------------------|-----------------------------------|
>---------------------------------|-----------------------------------|
>
>-------------------------|-15-14-15-14-15-14-15-14-------------------|
>17->-(19)->-17--17--17-!-|-15-14-15-14-15-14-15-14-------------------|
>-------------------------|-------------------------------------------|
>-------------------------|-------------------------------------------|
>-------------------------|-------------------------------------------|
>-------------------------|-------------------------------------------|
>
>15->-(17)-!-|-----------10-----------|-------------------------------|
>15->-(17)-!-|-10->-(12)-10---10--8-7-|-------------------------------|
>------------|--9->-(11)-------9--7-6-|-9-7-9->-(11)--7!--------------|
>------------|------------------------|-9-7-9->-(11)--7!--------------|
>------------|------------------------|-------------------------------|
>------------|------------------------|-------------------------------|
>
>---------------------------------------------------------------------|
>-_-------------------------------------------------------------------|
>4_0-2-2-4->-(5)-4->-(5)!-4---4->-(5)->-4-----------------------------|
>4-0-2-2-4->-(5)-4->-(5)!-4---4->-(5)->-4-----------------------------|
>---------------------------------------------------------------------|
>---------------------------------------------------------------------|
>
>--------3>5-|
>3-3-3-2-4>5-|
>--------5>6-|
>7-7-7-7-----|
>------------|
>------------|
>
>Now there's the interlude, verse and chorus. The fade out is interesting
>enough to display. Chords are displayed above the bars. Lyrics are again
>"Closer To The Heart" on the D - A - G progression.
>D A G
>------------------|-------------------------------|
>3>(5)--3>-(5)->-3-|-3->-(5)--3--3>(5)-3>(5)-3>(5)-|
>5>(7)--5>-(7)->-5-|-5->-(7)--5--5>(7)-5>(7)-5>(7)-|
>------------------|-------------------------------|
>------------------|-------------------------------|
>------------------|-------------------------------|
>
>D A G
>-------------------------------|-------------------------------------|
>3->-(5)--3-3>(5)--3>(5)--3>(5)-|-3>(5)--3-3-3>(5)---X-7--------------|
>5->-(7)--5-5>(7)--5>(7)--5>(7)-|-5>(7)--5-5-5>(7)---X-9--------------|
>-------------------------------|-------------------------------------|
>-------------------------------|-------------------------------------|
>-------------------------------|-------------------------------------|
>D A G
>--------------------|------------------------------------------------|
>7>-(9)-7>-(9)-7-7-!-|-7-7-7-7---7-7-7-7-7----------------------------|
>9>(11)-9>(11)-9-9-!-|-9-9-9-9---9-9-9-9-9--17->-(19)-----------------|
>--------------------|------------------------------------------------|
>--------------------|------------------------------------------------|
>--------------------|------------------------------------------------|
>
>D A G
>--------------------------------|------------------------------------|
>-15--15->(17)->(16)->(17)->(16)-|->(17)->(16)->(17)->(16)->(17)-15-15|
>-----17->(19)->(18)->(19)->(18)-|->(19)->(18)->(19)->(18)->(19)-17-17|
>--------------------------------|------------------------------------|
>--------------------------------|------------------------------------|
>--------------------------------|------------------------------------|
>
>Begin fade
>D A G
>-----------------------------|---------------------------------------
>15->(17)--15->(17)--15-15-15-|-15->(17)-15->(17)-15-15->(17)-15------
>17->(19)--17->(19)--17-17-17-|-17->(19)-17->(19)-17-17->(19)-17------
>-----------------------------|---------------------------------------
>-----------------------------|---------------------------------------
>-----------------------------|---------------------------------------
>
>D A G
>17->(19)!-17->(19)!-17->(19)!-|-17->(19)!-17-17->-(19)!-17->(19)-17->(19)|
>20->(22)!-20->(22)!-20->(22)!-|-20->(22)!-20-20->-(22)!-20->(22)-20->(22)|
>------------------------------|------------------------------------------|
>------------------------------|------------------------------------------|
>------------------------------|------------------------------------------|
>------------------------------|------------------------------------------|
>
>D A G
>17->(19)!-17-17->(19)!-17-17->(19)!-|->(18)->(19)->(18)->(19)-17->(19)!
>20->(22)!-20-20->(22)!-20-20->(22)!-|->(21)->(22)->(21)->(22)-20->(22)!
>------------------------------------|---------------------------------!
>------------------------------------|---------------------------------!
>------------------------------------|---------------------------------!
>------------------------------------|---------------------------------!
>
>17->(19)--17--17->(19)--17--17->(19)-|
>20->(22)--20--20->(22)--20--20->(22)-|
>-------------------------------------|
>-------------------------------------|
>-------------------------------------|
>-------------------------------------|
>
>--
>Legend:
>
>| - A pair of these indicate a part of music, not the usuals bars.
>: - Indicates that a part is to be repeated. This may be ommited, you should
> hear it too.
>_ - Indicates a hammer-on or pull-off (You should know which is appropriate)
>> - Indicates a bend-up or down or a slide. With a bend, the note to bend to
> is between '(' and ')'. Use the whammy for a downbend. With a slide, the
> follow-up note is the one to be slid to.
>! - Indicates vibrato.
>^ - Indicates a tapped harmonic. Is printed below the note.
>. - Under the strings, it indicates the note is staccato (short).
>\ - Indicates a general slide downwards from note, to no note in particular.
>AH - Indicates adding artificial harmonic with pick hand.
>
>----
>For corrections or questions on the tabs, contact the author. If no e-mail
>address is included, contact Frank or Mario, addresses below. Contact Frank
>for guitar tabs, and Mario for bass tabs.
>
>For remarks, suggestions or additions on the tab 'archive', contact:
>
>Frank (guitar) or Mario (bass)
>(schaaphe@serc.nl) (motcid!marble!dalessio@uunet.uu.net)
>
>HAPPY PLAYING!!
>
--
+----------------------------------------------------------------------------+
| Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 |
| email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 |
| He's big, he's purple, and he's a huckstering spokesdinosaur! |
| 
